The Bible of Elazığ (5)

Part five

(For the beginning of this story, see the earlier posts at part 1, part 2, part 3, and part 4.)

Carbon 14 dating is based on the priniciple that an animal’s tissue contains carbon dioxide from the plants it has eaten. CO2 is radioactive because the carbon arises through an interaction of cosmic rays with atoms in the high Earth atmosphere; it then settles to the surface and is absorbed by plants during the process of photosynthesis. When an animal dies, it stops eating and absorbing CO2, and its radioactivity begins a process of decay. About half of the value is lost approximately every 5,730 years. So measuring the amount of CO2 and its level of radioactivity in a sample permits scientists to date a tissue – providing the animal that absorbed it died within about the past 50,000 years.

Modern dating has to take another factor into account. Until the 1960s, when the practice was banned, a number of nuclear weapon tests were carried out above ground. This nearly doubled the amount of radioactive carbon in the atmosphere, and the tissues of every animal that has died since bear the signature of this event.

* * * * *

I hadn’t been able to stop thinking about the Bible during my family’s vacation – maybe the results of the dating would be waiting when we returned. But there was nothing from the Center for Archeometry in the mailbox.

I took a couple of calls from the Turkish family and met once more with the group in Berlin, but had nothing to report. “They said in the best case it would be a few weeks,” I said, and promised to check in as soon as I had the results. The nerves of everyone involved were frazzled, which I could well understand.

Finally, two weeks later, the letter arrived in Berlin. I wanted to tear open the envelope, but peeled open the flap carefully and removed several printed pages. The Center had included a cover letter which didn’t summarize the results. For that I’d have to look at the data, which was included. Instead the letter merely stated that the smaller sample – the one I’d taken from the inner pages – was too small for reliable measurements, so they’d had to use the fragment I’d obtained from the cover.

I opened the report and scanned the data, which consisted of a number of tables; at first I couldn’t make any sense of it. Finally I found a sentence in the text that resolved all of the numbers and figures: “Noted is the clear presence of a radioactive peak that definitively places the date of the material after the 1960s; the best estimate that can be made from the data suggests that it stems from the period between 1996 and 2003.”

In other words, as ancient as it looked to the untrained eye, the Bible was a modern forgery.

* * * * *

I had been thinking about the fragmentary sample during our vacation. What if that bit hadn’t really come from the Bible? The cloth that the old man had spread across the table had been clean, I was fairly sure of that, but from the way they’d handled the book – could something have been transferred to it? Could the fragment that had been lying there when they lifted it, which I carefully packed and took abroad, have come from somewhere besides the cover? Had it gotten stuck to the outside by accident?

Out of concern for preserving an object that was probably a forgery, I’d eliminated any chance of obtaining a definitive answer. This was nothing more than idle speculation, but the possibility would haunt me for years. Another trip to Turkey was plainly out of the question.

Especially after I called the family in Berlin, and after I placed one more call to Abdullah in Turkey, to deliver the dismal news.

“Are you sure?” he asked, at least three times.

There was no question, I told him; the sample that had been tested was modern.

“Okay,” he said, in a tone of voice that very clearly indicated his displeasure.

That was the last I would hear from any of them.

* * * * *

A few years have gone by. From time to time I have opened the files of the photographs of the book, and I have kept my eye on the news for reports of discoveries of any ancient manuscripts in Turkey. A year or so after all of this happened, a friend whom I had told the story sent me a clipping of a report of a Bible that had been found there. It purportedly dated from the year 1000 BCE or so, and was in good condition; its value was estimated in the tens of millions of Euros.

I had a story to tell, but I remained haunted by questions – not only about my carelessness in taking a sample about the book. Some of what had happened didn’t make any sense. If the family had known from the beginning that they were dealing with a forgery, why would they ever have let us come to take samples in the first place? They surely would have known that scientific testing would have exposed the fraud.

Perhaps they didn’t know – maybe someone else had made the Bible and the other documents they’d seen. Maybe they’d acted in good faith, having found the manuscripts in more or less the way they had described. But if so, what forger would have spent the months that were surely necessary to create an object that was a work of art in its own right – complete with a fastidious but completely fabricated, ancient script, possibly telling some sort of story in some ancient language – unless he’d been sure of selling the thing for a profit? Why such a long, laborious effort? Surely 50 pages of material and script would have sufficed?

From what I have learned in the meantime, such objects normally appear on the black market and are initially sold for a meager price to a gullible buyer who is willing to take the risk that they are forgeries. Then they work their way up the food chain of the underground antiquities market, until they reach a price where someone insists on authentication. At that point the game is up – but at least the transactions have introduced layers between the artist and the buyer.

But coming to any satisfying answer requires an assumption that those involved were acting on good faith, and the slipperiness of some of the stories we were told indicates otherwise.

Once in a while, when I’ve told this story to friends, they’ve suggested it would make great material for a novel. But recently there have been too many fictional tales of ancient Biblical manuscripts; I remember being terribly impressed by Irving Wallace’s The Word, when I was in high school, and of course there is the entire loopy (while highly crafted) Dan Brown genre that has passed through today’s culture like an infection.

No, the interesting thing about this story was that it was true. And that there was more to it: somewhere, most likely in Turkey, is or was an artist who is making these objects. But that was a story that would clearly be dangerous to pursue – at this stage in my life, no thanks, not me. Maybe there will come an ambitious young journalist ready to take it on someday.

Not the last of my thoughts have centered on my own involvement in this: did I act responsibly and ethically? I’m not sure. Given that the object turned out to be a forgery, no harm was done; I can’t say how things would have developed if the dating had turned out differently, and assigned a date to the Bible that more closely reflected the family’s claim.

I still believe that if such an artifact ever does appear, and it proves to be authentic, its contents belong to the world. That requires the sort of protection that can only be assured if academics get involved, but it also requires that governments and institutions handle ancient documents in good faith.

If I had to do it over again, I would have insisted on an expert in ancient manuscripts making the trip to Turkey with us. Those I had previously contacted were too skeptical to get involved, which probably should have told me something. I certainly would have planned a few more days time for the photographs, and would have obtained a larger sample that would have provided an unambiguous date for the manuscript.

If, if, if.

* * * * *

I don’t know why now seemed the right time to publish this story. But a few days after the third installment appeared, I received the following message from a biologist in Turkey, which I am reprinting with his permission:

Dear Dr. Hodge,

I am a Turkish biologist from Inonu Univ, Malatya, the neighboring city of Elazig. Same pictures were shown to myself about 4-5 months ago. The guy told me that it is 105 pages old book written on gazelle leather. The pictures were looking as old as the ones you have posted here. There was a non symmetrical cross with dots around more like a four legged sea star. I sent pictures to Sotheby’s where I sold a piece of rug when I was doing my PhD in IIT(Chicago). Their experts found that it is a product of forgery and has no value whatsoever. Later I learned that these pictures are everywhere in the smartphones of spooky people (so I deleted them. wish I did not and have some here for you). The book is mass produced and put under harsh conditions (such as acid bath and exposing to intense radiation) so that its has a wear out look.

Now sipping my çay (turkish hot tea)!, I hope you have not been swindled. Best wishes,

Hikmet Geçkil, PhD

Thank you, Hikmet, for bringing this story to an end after all.


The Bible of Elazığ (4)

Part four

(For the beginning of this story, see the earlier posts at part 1, part 2, and part 3

Our host produced a folded white cloth and pinched its folded corners. With a single brisk shake it unfurled, was lifted by a draft and drifted onto the table like a settling cloud. Abdullah patted around to flatten the creases. These preparations were made with the attention of a small ceremony. I noticed the cloth seemed to be perfectly clean – later I would wish I had taken a much closer look. Then the door to the next room opened and I caught a glimpse of shelves with regiments of books aligned from floor to ceiling.

Immediately my first question was answered: the only protective measures they had implemented to protect the Bible of Elaziğ, in a house ruled by central heating, was to put it in a plastic bag from a grocery store.

Aldi, I think, but it may have been another German chain.

The extent to which they had followed my urgent requests, apparently, was to put the bag inside a second plastic bag. Markus gave me a strange look – my mouth was hanging open, I probably closed it.

Abdullah helped the man who’d carried it in extract it from the outer bag, into which the old man reached to withdraw the Bible – with his bare hands. I opened my mouth again – thinking of the box of sterile Latex gloves I’d obtained from the lab and been carrying since leaving home. This didn’t seem like an appropriate moment for a lecture on processes of degradation triggered by a transfer of oils, acids and bacteria from a person’s hands, or the need to handle ancient documents under sterile environmental conditions. I closed my mouth again. Probably.

The object that came out of the bag was much smaller than I’d imagined – about the length and breadth of an iPad, but considerably thicker. I realized my expectations about the scale had come from the only format I’d seen it in: the size of the screen of my 17″ notebook computer, which I had been using to zoom in and out, altering the contrast and color range, trying to expose details of its script and the drawings.

Once the book appeared, they handled it gingerly, respectfully, but still with their bare hands. The old man placed it carefully on the cloth, stepped back, then touched one corner and made a minor adjustment until he was satisfied it was centered against the bleached background.

Even the most faithful posters and reproductions of great paintings somehow never do justice to the works themselves, and I had the same impression here. Part of this feeling had to do with its diminutive size, the precision of its outline against the white frame of the cloth. Maybe it became more real by more closely resembling most of the other books in my life.

The leather cover that had been bound around it wasn’t quite as dark the images had suggested. The warped, spotted surface might have been a mummy’s skin. The photographs suggested a pitted, moon-like landscape, but this had exaggerated the depth. Live, it looked more like a wrinkled rubber sheet. At that moment I had no doubt I was looking at something truly ancient, something that had been passed from hand to hand, entombed and lost, resurrected through an accident, finally to arrive to us, in this room, swimming up through the depths of time.

I examined the edges; the spine was more like a fold. From the outside I couldn’t see stitches or any other signs of the means by which the inner pages had been attached to it.

Markus and I walked around and around it, looking at the book from all angles. I had asked a few experts for advice about features to look for that might tell us something about its true age; they hadn’t said much about the cover, but it wouldn’t have helped. My mind was a blank.

At some point I opened my bag to unpack the gloves. Abdullah reached for the book to open it. “Wait,” I said, but by the time George had translated that single word, he’d carefully pulled back the cover with his bare fingers. As if once more made any real difference after they’d surely already handled the book the same way dozens or hundreds of times.

I expected the cover to crumble as he peeled it back, but we were spared that, at least.

In contrast to what I’d seen for the outer leather, the parchment of the inside pages looked quite a bit darker than it had been in the photographs, which considerably weakened its contrast to the drawings and script running across its pages. That might have been due to alterations in the contrast and color values of the image files from their original photos; it could also mean that the manuscript was deteriorating from exposure. I assumed that they’d taken those images using a normal light source that was surely pretty strong. I’d asked the Berlin faction early on to keep to tell them in the strongest terms that it had to be kept away from light, which might massively accelerate its degradation.

I was alarmed, but glad that Markus had equipment for infrared photography. It added urgency to the images we planned to take: unless the Bible could be put into the hands of expert conservationists very soon, subtle features of the pages might be lost forever.

The old man’s finger hovered over the first page, which displayed an image of a cross placed among writing and symbols. George, who was just on intent at looking at the book as we were, fumbled for a moment over the translation.

“He says these are the marks of the scribes – the way they signed their work. He says some of the other symbols are a form of representing dates. It’s an old system but he says it’s known and people know how to translate it into the modern calendar. That’s how they came up with the year 232 for when it was written.”

As more pages were turned, the old man kept up a running commentary. We came to one of the first images, of a stone portal structure with two towers. “The ruins of this this structure still exist,” George translated. “In Syria. This place is known – it’s near where the book was found.”

Another drawing – what appeared to be a woman in a scarf and a long robe marked by ornamental spots, under bent palm trees. “You note the shape of the trees? Leaning toward and around her? This was a symbol pointing to something holy, something divine.”

I described my efforts to identify the script, which triggered another long discussion with the old man. Finally George turned back to us. “He says that they showed some of the images to a professor from the university, who thought it might be a form of Old South Arabic. The old man says he has seen it on other documents – and that he can even read parts of it.” Another long conversation in Turkey. “He’s a sort of scholar who has been finding things his whole life. When people learn what is written here, he says, it will change the world.”

* * * * *

Markus hadn’t yet unpacked his equipment, but time was passing and we needed to set things up if we were going to photograph the book. Abullah talked to the old man a while, and then he nodded.

“You can take the photographs,” he said, through George. “But you must leave them here. And also the camera.”

“The camera?” Markus said, astonished.

“Yes, he is very concerned about this getting out, about the story getting on the Internet.”

Markus assured them that once he had taken the images, he would remove the memory card. They could keep it until we had subjected material from the book to Carbon 14 dating and verified that it was as old as they claimed. At that point we would discuss how to deal with the photographs.

More talk. “No,” Abdullah told us. “You’d have to leave the camera. But you will get it back, of course.”

“There won’t be any images on it when we leave,” Markus protested. “I’ll make sure they are erased, and I’ll show you while I’m doing it.” He shot me a pained expression. “If I’d known, I would have brought another camera, or bought one. But I can’t leave this one here.”

“We need the images,” I said. “It was the whole point of the trip – that, and getting a sample.” I added that they had known that was our intent from the beginning; if they were going to make an unreasonable demand, they should have told us.

On this point, however, the old man would not be moved, for whatever reason. We were stuck; one of the main reasons for this whole crazy enterprise had just collapsed beneath our feet. I could ascribe the whole thing to their paranoia – at least until what happened next.

“But he has many pictures they took themselves on his computer,” Abdullah said. “We will let you take some of them with you.”

Markus laughed bitterly. We looked at each other – when dealing with crazy people, what could you do but shrug?

At least they made no objections as I prepared to take get sample for the dating analysis. That, too, had been discussed in advance. And for all the talk that we might be dealing with a forgery, the fact that they were letting us do this had been a major factor in the decision to come.

It had been an argument I had raised many times with my wife, who had never believed the Bible could be real and had objected to my involvement from the beginning. “You shouldn’t waste time and money on this,” she had said – many times.

“When we do the dating, we’ll know for sure,” I told her. “The family in Turkey has to know that the results will be totally unambiguous. If they know the thing isn’t real, why would they ever let us come take a sample?”

She didn’t have an answer but refused to be budged. “They want something from you,” she declared.

“What could they possibly want from me? I’m not going to buy it, so what could I possibly do for them – unless it’s authentic?”

I still had on my latex gloves as I considered the problem of taking the sample. I was determined not to cause any damage to the manuscript, which meant taking great care with the inner pages. The edges of the parchment were frayed, so I gripped the border of a page with a pair of small tweezers. I pulled very gently and a miniscule fragment came off. I placed it in a plastic bag.

I also wanted to have the cover tested, so I had them close the book again. When they had placed it on the table, the cloth underneath had been clean; now a flake about half the size of my fingernail lay there, having crumbled off the leather exterior. It went into another bag. I packed them both into the pouch on my belt I used to carry my cell phone.

Those few moments would haunt me for the next four years, when I would reproach myself again and again. Because everything depended on those samples. And I had quite possibly just made a terrible mistake.

* * * * *

Abdullah and the other young man packed the Bible back in its Aldi bag and carried it into the next room. Out came a Macintosh laptop, where they’d stored the images that the family had taken of the Bible. The old man sat down and tapped his way through folders with his short, blunt fingers. He inserted the memory stick I’d brought along. I sat down beside him and he began scrolling through the images, which were high-resolution versions of those I had seen in Berlin. A few of the drawings were partly obscured by flares from the flash they’d used, but in terms of preserving the text, these weren’t bad at all. Our plan to use infrared had had more to do with capturing details that might be lost as the manuscript deteriorated.

I had assumed that we’d be limited to taking along a few images of pages of script, given their concerns about our use of those taken with Markus’ camera. But the old man was willing to part with any of the photos I wished, including those of the drawings. As we scrolled through the book, we’d come to something and he’d even say, “Oh, you need that one, of course.” In the end I had nearly all the images they’d taken, of the entire book.

I assured him I wouldn’t use them without permission, and he waved his hand, as if this had no importance. Markus was practically gaping as he watched the whole procedure.

As that was going on, one of the women we’d met at the beginning came in and served tea. We were sipping it when Abdullah sprang the last surprise of the day on us.

“He says that when this book was discovered, there were 16 other manuscripts along with it.”


They weren’t Bibles, Abdullah said, but seemed to have more to do with the life of the community that had produced the other book. Maybe we’d like to see some of them?

More plastic bags began to emerge from the neighboring room. The objects they brought in were like no books I had ever seen before. All were enclosed in leather covers, but of odd shapes: sewn together in triangles, or circles. The lettering on some glowed in a luminous gold; in others, the pages inside were thicker, possibly made of leather, with characters that had somehow been pressed into the surface.

“He has images of some of these other books, and you can take them as well,” Abdullah said. Out came the stick again, and the old man began dragging entire folders of photographs onto it.

* * * * *

We moved through customs without problems as we caught our flight the next morning to leave Elazığ. In the air the whole trip seemed like a bizarre dream. Markus and I had talked it up and down and were unable to make any sense of the old man’s curious behavior.

Two days later, on a bright Friday morning, I drove to Mannheim to deliver my two samples to the Center for Archeometry of the Curt Engelhorm Museum. Before the trip I had contacted them to find out whether they could handle the dating and how much material they’d need. Also to check prices; I was going to be out a few hundred more Euros. Normally the work would take two months – it could be done faster if I was willing to pay a lot more.

I’d found out they were receiving funding from the Klaus Tschira Foundation in Heidelberg, established by one of the billionaire founders of the software giant SAP. By chance I knew someone highly placed in the foundation who could give them a call – getting me the normal rate for a quicker analysis.

I filled out some forms and turned over the samples at a desk on the second floor. The fragment from the cover was certainly large enough to perform an accurate analysis, they said. The bit from the inner pages, the one I’d prefer to have analyzed, was questionable; they couldn’t guarantee that it had enough mass. I could only afford one test.

“What we’ll do is measure the smaller piece and use it if it’s sufficient,” they said. “If it is, we’ll use it. Otherwise we’ll go with the other one.”

They were curious about the source. “I’ll tell you more when I have the results,” I said.

With that I left the mystery in their hands, and drove home to pack for a three-week vacation with my family.

The conclusion of the story will appear in part 5, coming soon!

The Bible of Elaziğ (3)

Part three

(For the beginning of this story, see the earlier posts at part 1 and part 2.)

Five months after my reunion with Ali in the S-bahn in Berlin, I found myself on board a small passenger flight from Istanbul to the city of Elaziğ in Eastern Anatolia. My friend Markus and I were glued to the window, watching the drama of the panorama as it unrolled far below. On this late afternoon in March, the rugged landscape had the seemingly infinite detail of an etching traced into copper by the blazing sun.

We were nervous and high with the adventure of it all. At times we felt like characters in a spy novel – fully aware that in real life, they often end badly. Long ago at the university I’d seen the movie Midnight Express, which had left me with inescapable stereotypes of Turkish prisons, weeks of nightmares, and a lifetime phobia of passing through customs. A couple of years before I had been shaking like a leaf as I entered Turkey with Fred Luft’s group, even though – unlike the movie’s antihero – I wasn’t smuggling heroin across the border. (In fact, although my colleagues hadn’t told me this at the time, the cart I was pushing was loaded with drugs. Not heroin, but antihypertensives… When I learned this, later, I thought I’d have a heart attack on the spot.)

This time there was no reason to worry as we entered the country. Neither my name nor that of Markus would mean anything to anyone, and the only people who knew the purpose of our trip were members of a close-knit family who had the best possible reasons to keep it secret.

Coming out of the country might be a different matter.

This trip had been planned in so much haste that we’d arrived in Istanbul that morning with no idea of how we would manage the next leg of the voyage. A travel agent in Heidelberg had assured us that there was an airport in Elaziğ, but he couldn’t make reservations from Germany. “It will be easy from Istanbul,” he assured us.

Markus was cool with this laissez-arriver approach to travel, but it had been 15 or 20 years since I had done the backpacking thing. When you’re young, “Have sleeping bag: will travel” works fine. Now I found myself wondering, “Did I pack my toothbrush? Will I be able to buy one at the airport?”

In fact all we had to do was debark in Istanbul and change counters, at which point we found we could get an amazing rate to Elaziğ – the tickets for a round-trip transfer amounted to something like 100 Euros apiece. It was a relief because my wife and I were footing the bill for this whole adventure (with the help of a very generous sponsor who will remain anonymous until he decides to out himself).

The urgency of our preparations meant that I knew almost nothing about Elaziğ, except its location on the map and that it lay in a province of the same name. The river Euphrates begins in this region. If you follow its flow to the southeast, to the place where it encounters the river Tigris, you reach the purported site of the Garden of Eden. To the east, on the Armenian border, lies Mount Ararat. Mythical or not, this is incredibly exotic fare for anyone imprinted in the Judeo-Christian tradition.

I was traveling farther east than I’d ever been before. Once I had been to the island of Cyprus on another adventure that had taken me into the depths of a prehistoric copper mine, in the company of an archeologist, in pursuit of another story. But Elaziğ lay a few hundred kilometers nearer to the source of the rosy-fingered dawn.

* * * * *

Pursuing the script had reached a dead end. With the family’s consent, I’d finally uploaded a sample to an Internet site devoted to ancient alphabets, without saying anything about the purported content of the text. Maybe it would excite some fanatical devotee of this arcane subject. But aside from a single on-topic but ambivalent response, the posting drew no bites, and the discussion quickly meandered off into matters that were wholly irrelevant.

At the same time my Turkish associates were clearly under stress from their mysterious partners abroad. Word about the manuscript seemed to be leaking out – little wonder, with so much at stake. Yet given their intent to control the situation with the government getting involved, this was extremely dangerous.

Ali kept giving me reports of new events. A team from Switzerland had arrived in Turkey, he said, and was trying to get in touch with the holder the document. Another tale involved a group of Israelis. Both groups had been shown a picture or two, he said, but had never seen the object itself. The Israelis, supposedly, had offered to buy the book for 26 million Euros, sight unseen. In retrospect both stories should have seemed like the wildest exaggerations. But when you’re up to your elbows in something as fantastic as this, the demarcation between the real and the fantastic was easily blurred.

There was still the possibility of trying to decode the text using computational methods. But I was unwilling to start a process that might make a stranger aware of its contents without some sort of authentication. In the meantime another expert had raised a further objection: parchment would have been valuable material in ancient times, he said, so why fill the pages so sparsely? Counterargument: the beauty of the book suggested a treasured document, to be regarded almost as art, rather than a object of practical value to be passed from hand to hand.

Any further involvement on my part, I finally told them, would require a certainty that we were dealing with an ancient manuscript, rather than a modern forgery. That would be impossible without carbon dating the object, which meant obtaining a physical sample.

And I remained intensely concerned about the family’s efforts to preserve it. If they hadn’t done anything, every day that passed was damaging the book; it might become unreadable, or simply dissolve into dust. Since I had been unable to speak with anyone directly – the person they were talking to spoke only Turkish, and I’d only heard the Berlin half of their conversations – I wasn’t convinced they were taking adequate measures.

Regarding the contents, from an academic point of view, one could work with excellent photographic reproductions as well as the original. I had been told that infrared photos stood the best chance of detecting details that might reveal traces of forgery. A perfect record would also be of incredible value itself, in case the book was damaged, siezed, or destroyed.

A flurry of telephone calls passed between Berlin and Turkey. Finally it was agreed: I would be permitted to come see it in person with one friend, who would photograph the entire book. I could also obtain a sample for testing. The only catch: we’d have to travel to the far eastern part of Turkey, on our own dime.

* * * * *

Markus is a talented artist I met many years ago while working in Heidelberg. He worked downtown in a coffee shop where I’d sometimes hole up to write while nursing a monstrous caffeine habit. Markus’ vocation was photography, but the studio route wasn’t his gig. He preferred the unfettered life of a freelancer, paying his rent through occasional hours in the coffee shop. His real work was picking up: recently he’d been hired by the city theater to take images for their posters and brochures. He was also a master of pinhole photography, a method he had used to take beautiful images of Heidelberg for a calendar. He was allowed to hang them in the coffee shop and sell them over the counter to customers.

I’d noticed and asked about them once during a coffee run. “Markus took those pictures,” I was told. He wasn’t in at the moment, but he had regular hours. We met a day or two later and after that, whenever I came in, we’d talk about photography and art.

So he came to mind when I began looking for someone to capture a record of the Bible of Elaziğ. I’d already approached another photographer friend, who reluctantly turned me down. I could live with the legal murkiness of the situation given that the book might turn out to be a forgery. But if we found out it was real, the actions of its owners might well cause a dilemma with ethical and moral dimensions beyond the purely legal ones. I was willing to cross that bridge when I came to it, but I couldn’t expect anyone else to draw their line in the same place. Whoever got involved needed strong nerves.

Markus, on the other hand, was game after we’d talked the whole thing through. He’d do some checking on his own regarding the technical requirements of photographing an ancient manuscript, but in principle he had the necessary equipment. So I went to a travel agent – a Turkish immigrant with whom I had had many conversations and planned many trips – and began looking into flights.

* * * * *

The airport in Elaziğ was a scene of total melee. The moment we debarked, passengers flowed into a throng of relatives, other people pushing forward to board the plane we’d just exited, yet others huddled around simple stands selling soft drinks and chai. Right outside the main exit there was something going on involving crates of chickens that I never figured out.

Markus and I were so obviously strange that people stopped in their tracks and stared, the way they might have regarded a pair of extraterrestrials.

Originally my Berlin contacts had intended to accompany us, but things fell through at the last minute and we were on our own. I had a cell phone number for a person who was supposed to meet us. Each time I tried to call, a man aswered in Turkish; I tried to explain our situation but couldn’t make sense of his response against the din in the backgroud. I shrugged helplessly. We stood in front of the terminal and peered across the parking area, to the long line of cars creeping along the road on the far side.

We decided to walk across the parking lot; the moment we reached the road, a slender man wearing a dark blazer got out of a car, holding a cell phone. By some miracle, it was our contact. There was an advantage to looking like total aliens.

The Berlin contingent had assured me that he spoke German; it was, to put it kindly, another exaggeration. From broken sentences we pieced together that he had spent a couple of years in Hamburg, but it had been a very long time ago. We could barely communicate as he gestured us into his car and drove us to a hotel in the center of town. Markus and I dumped our bags in a double room, then returned to the lobby. Where were served chai.

There our communication with Abdullah, as I’ll call him, seemed to reach an almost total impasse. We understood that he’d pick us up the next morning – and he’d bring along a translator. Another “cousin”, named George, who’d been studying in England.

* * * * *

After a night of tossing and turning, I woke to a stunning view out the window of mountain crests hovering over the colorful chaos of the city. Markus and I made our way down to the hotel restaurant. For breakfast we found the usual fare of joghurt, strong cheeses, bread, and small boxes of cereal – no sliced salami in a country where pork was considered unclean.

Abdullah and George joined us as we ate. We were immediately relieved to find that George had been studying philosophy in Oxford, and his English was impeccable. Finally a way to communicate; we no longer had to untangle Abdullah’s limited German vocabulary distilled through Turkish grammar.

George was there simply to introduce himself. Abdullah would take us around in the morning, he said, and he promised to join us again for lunch. Until that point he had heard nothing of the Bible or the entire situation; as the story came together for him, in two languages, he simply gaped at the three of us. He peppered Abdullah with questions, then us, faster and faster, caught up in the excitement and the madness of the whole thing.

Finally he had his feet back on the ground and could translate. Some of my assumptions were quickly dashed – Abdullah was not really the relative of the Turks I had met in Berlin. Nor did he have the book directly in his possession. He was arranging a meeting with the owner.

We discussed our plan to photograph the entire thing with George. Capturing infrared images of 105 pages, plus the object itself, would require a darkened room and plenty of time. Markus and I had scheduled the work for that day and the next; our return flight was scheduled in two days. It was essential that we see it as soon as possible.

Abdullah peppered George with questions. What, precisely, were our intentions? What would happen to the book?

I tried to explain that our priority was to capture high-quality photographs of the document before it experienced damage through handling or exposure to the air. We would also need a small sample of the document that would be submitted to carbon 14 dating. If it turned out to be authentic, at some point it would pass into the hands of experts who would surely spend years studying it, in a way which would ensure its survival and dissemination to the world.

This was a sort of fencing – edging around the legal and ethical issues at hand. Whoever possessed the book was obviously interested in maintaining control of it, despite the fact that Turkish law dictated it would have to be turned over to the government, at least if it had been found within national borders. But high-quality photographs of the document would be immensely valuable in their own right. They would not only serve as a source of vital information, particularly if it began to disintegrate, but be the basis for a translation. And they could also be used to create facsimile copies that would be of interest to scholars everywhere. Not to mention that a collection of the earliest preserved examples of Christian art would be published on the front pages of newspapers everywhere throughout the globe. The rights to the images alone could be worth millions. It might be a way for the finders to profit from their discovery without committing a severe violation of governmental regulations.

For now, though, we were still acting on the assumption that it might be a forgery. If so, as long as they didn’t try to sell it, it was simply a sort of work of art whose legal status was questionable.

The way the discussion was going had made George nervous. “I don’t think it’s a good idea to talk about anything financial,” he said. I agreed – the main thing at the moment was simply to get access to the book.

George had an appointment and promised to meet us later, for lunch. Until then, Abdullah would “show us around,” he said.

* * * * *

The morning dissolved into a strange sequence of scenes: climbing into Abdullah’s car, driving around, parking and walking by storefronts. He exchanged greetings with nearly everyone he met. At one point we entered a sort of alley between two tall buildings with shops lining either side. The windows along the whole row seemed to be filled with gold, shaped into watches, rings, jewelry, platters… We entered one that was barely large enough to hold the three of us and the shop owner, an aged man with a beard. He produced three stools from somewhere, then disappeared behind a door in the back. When he returned he was bearing a large pot (silver, not gold), from which he poured us – what a surprise – black tea.

A store filled with gold had to have excellent security… I wondered if we were about to get our first look at the Bible. Was it here, locked away in a safe, somewhere in the back?

It turned out this was just a social call. Or something. His eyes moved from Markus, to me, to Abdullah. He’d ask a question and Abdullah would answer. We had no idea what they were talking about. This went on through two cups of tea and lasted about half an hour. At that point Abdullah stood up abruptly and indicated the door.

It was one of three or four such stops, meeting various characters – all men – who offered us a constant stream of chai and cookies. I looked at Markus, who shrugged. I shrugged back. George told us later he never quite learned how Abdullah made his living. Perhaps, he said, going from shop to shop, making obscure deals. If so, it was a type of business that subsisted entirely on conversations carried out between men, and it was impossible to imagine a woman breaking into such a system.

Thinking back, I suppose everything that happened to day belonged to another series of tests, like those I’d apparently passed in Berlin. The paranoia was understandable, given the magnitude of what was going on. But it would have been nice to know a bit about the nature of the game and the criteria for success.

George rejoined us at lunchtime at a fast-food place with long tables and benches that reminded me of picnic tables pilfered from a campground. The food was good, but it was noisy inside – no place to talk about shady undertakings. Then it was back into Abdullah’s car for a ride somewhere else; I don’t remember where. Along the way I kept stressing the time factor to George. Both Markus and I had obligations in Germany that would make it impossible to postpone our flight back. We had less than 48 hours and an immense amount to do in that time.

Later in the afternoon we learned that it wouldn’t be possible to see the book until the next day. But we’d be picked up in the morning – the very first thing. Or so Abdullah promised, speaking through George, who was obviously just as frustrated as we were. He, too, had been infected by the possibility that we’d soon be looking at the earliest known version of a document pertaining to the New Testament.

* * * * *

George joined us for breakfast in the hotel, and Abdullah finally pulled up to the entrance of the hotel in the late morning. He found us waiting in the glaring sun at the curb, nervous and overly aware of the countdown to our departure from the country. Markus loaded his camera and equipment into the car and we headed off on a strange tour of the city, along a zigzagging route through narrow streets. We weren’t fitted with blindfolds! – I thought, ironically – but they weren’t necessary. We never could have retraced the maze of turns through an unfamiliar city.

Eventually we ended up in a suburb of low houses and a couple of apartment buildings set at the very edge of the city; beyond was a field with matted brown grass that stretched into a barren plain, then began a steady rise directly into snow-covered mountains. Abdullah gestured us out of the car, approached one of the houses, and rang the bell. We were greeted by a young man in a dark suit who gestured us inside.

We came into a living room complete with television set and recliner lounge, a long sofa, with a table in the middle and some chairs; the scene might have come straight out of American suburbia except for the bright floral patterns of the sofa cover. During my trips to the North I’d noticed such loud patterning everywhere – on the drapes, the furniture, tiling on the walls, women’s scarves. Minimalist aesthetics hadn’t reached the interior of the country. This room was relatively subdued, with a pale brown carpet and nothing hanging on the walls.

There we were greeted by a short, elderly gentleman wearing a headcap and a loose white robe. He gestured at two younger women and three or four children, who instantly vanished into the kitchen. Later George told us he was a Kurd, the population that made up most of the population of Elaziğ and the southeastern regions of the country. I never learned his name.

We submitted to many more questions. What were our intentions, our interest? I answered carefully and respectfully. I went through the whole story again, starting again, pausing for George to translate. I told him I had seen images and pursued the script through the libraries.

Did we want to buy the book?

No, no, I quickly replied. We wanted to help them determine whether it was truly as old as it appeared. We might be able to put them into contact with scholars who would study it for many years.

The old man nodded from time to time. He spoke for a while and George said: “This man has spent his whole life looking and has found many, many valuable things. He has seen this script and others before, and he says he can even read a part of it. He says that when the contents of the book become known, this will change the world.”

“What has he learned?”

The answer was lengthy. George paused to think and said, “It will change the relations between Christians and Islam.” The old man spoke again. “You are the first people he has ever shown it to, outside the family. There are others who are interested, but they have only seen two photographs.”

“We must photograph the book, to ensure that there is the best possible record,” I said. “We’ve brought special equipment.”

If we were willing to help the family bring the book to the world, the old man said, we could take photographs. And he said we would be free to do with them whatever we wished – as long as we made sure that the world learned about it.

What he meant was completely unclear, but Markus gave me a wide-eyed look. We had discussed the potential value of even just the photographs of the document. None of this meant anything, of course – we didn’t have them yet, and if the book was authentic, there was no guarantee that the law would permit their use.

“Where exactly was the book found?” I asked.

He replied that it had been discovered in a stone box, part of a sepulchre, perhaps, somewhere on the border of Turkey, Syria and Iran. With a war raging in the area, it might be argued that such a find was a desparate means of rescuing an artifact that otherwise might very well have been destroyed. But these were matters of law, about which we could say nothing.

It was finally time to see the Bible. The old man gestured to his young relative, who disappeared into the next room.

part 4 coming soon

More technology transfer cartoons…

More from the OTTers (officers of technology transfer) today… This series is dedicated to my friends in the field, in honor of their patience as they encounter pitches that are… well, a generous way to put it would be “creative”. Often the first step in a project is to reach up and snag a basic researcher and tie him or her firmly to the ground, so they don’t end up sailing toward the stratosphere like a helium balloon. Because we know what happens to those.

For more cartoons, scroll down or select the category “Molecular biology cartoons” from the menu in the banner above. Enjoy! Pass along to your friends!


The Bible of Elazığ: a backroom to a parallel universe (2)

The first part of this story appears in an earlier article on the blog, which you can find here.

Part two

Ankara lies in the highlands of Central Turkey, in the center of this enormous country that sprawls along the entire coast of the Black Sea to the north, bordering Georgia, Armenia, and Iran to the east, Syria and Iraq to the south, and Greece to the west. The western coastline borders the Mediterranean; far to the north is the site of the mound of Hisarlik, where archeologist Heinrich Schliemann uncovered the ancient site he claimed to represent the city of Troy of classical antiquity. His discovery convinced many scholars that the tales of Homer were rooted at least partially in real, historical events. While researching another book I had discovered a curious fact about these excavations: one participant had been Rudolf Virchow, the famous Berlin physician whose work became the foundation of modern cancer research.

The boundaries of modern Turkey were fixed during the 19th and 20th centuries as a result of events over the long history of the Ottoman Empire, machinations that followed the First World War, and the subsequent war of independence headed by Mustafa Kemal Atatürk. The result is a huge territory that encompasses a multitude of cultures which have been extraordinarly difficult – some consider impossible – to integrate under a single political system. Istanbul and its inhabitants pursue a modern, Western lifestyle. Central regions are occupied by diverse populations grouped under the collective term “Anatolian”. The southeastern region is home to a vast group of Kurds with close cultural ties to populations in Iran, Iraq and Syria. In many cases the fates of the youth in this region are almost wholly dictated by the patriarchs of their villages, whose main interest appears to be the perpetuation of ancestral lifestyles, and dictate who may get an education and who may marry.

Ankara is home to a beautiful Museum of Anatolian Civilization and Culture which displays the ancient, turbulent history of this vast country. It has been occupied and overrun by virtually every Mideastern and Mediterranean culture since the times of the ancient Babylonians and Sumerians. A walk through its rooms passes exhibits containing 40,000 year-old relics of a prehistoric culture dedicated to the Earth mother, monumental heads of Sumerian kings, friezes recounting the Epic of Gilgamesh, and so on into modern times.

As I began looking into the plausibility of an ancient Bible, I discovered that early Christians had spread through central and eastern Turkey during the first and second centuries, establishing small communities devoted to the new cult of Christ. As far as I knew, the oldest religious manuscripts were written on scrolls of papyrus – but then I discovered that in about the second century CE, the Christians in precisely these regions began producing the first modern books. They wrote on parchment made from the skins of antelopes, goats, and gazelles, which were often bound and often wrapped in leather. So far, everything was consistent with the images I had seen.

Ancient documents, sculptures and other relics continue to be found throughout Turkey all the time, often by modern looters. Many never see the light of day. Some disappear into the hands of private collectors. Others are immediately snapped up by the Turkish government, under laws which give the regime automatic ownership of all artifacts of historical value.

The intent is absolutely valid: to protect objects of cultural importance, ensuring that they will be appropriately handled and become part of the public heritage. But this system presumes that the authorities will protect them and deal with them wisely. There have been many cases where artifacts disappear and end up on the black market anyway; others vanish for decades and reappear under suspicious circumstances. And there are rumors that early Christian documents that do not support Muslim interests have simply been destroyed.

Clearly any involvement with such artifacts puts a modern scholar on shaky legal ground. As my inquiries into the manuscript progressed this made me highly uncomfortable, but I justified my actions the following way: first, the document might well simply be a forgery, in which case the statutes probably wouldn’t apply. Secondly, they did not belong to me, and I had no say in their fates. Third, I would have no part in any attempt to remove them from the country. Fourth, it was completely unclear whether the document had actually been found in Turkey at all. There was reason to think it had been discovered across the border in Syria or Iraq, where wars had devastated all sorts of amazingly valuable artifacts. In that case, a rescue attempt was completely justified.

But the most important consideration on my part was the concept that if this artifact were real, it would be one of the most momentous discoveries in cultural history. Modern scholarship pertaining to the early Christian era stretches back to the efforts of the early Church to align the New Testament with the old and sanitize early accounts of historical events, and there it stops. The modern gospels appear to have been written in the first and second centuries CE, but the oldest existing versions date to the fourth or fifth centuries. Any document older than that – particularly one in an unknown language and script – would surely provide stunning new insights into the events described in the gospels. Its content might differ from others that have been passed down in incredibly significant ways.

Although I was raised in a Protestant church, I am not in any sense a believer in any traditional Christian sense of the word. But whatever this document contained belonged to the entirety of humanity. And whatever happened, whatever my personal feelings, I was determined that its contents should be made available to the world. That could be done through a photographic record of the manuscript.

* * * * *

I began talking to experts and combing through on-line archives of ancient scripts, hoping to identify the alphabet in which the manuscript was written. If that problem could be solved, the text would be readable. Someone had photographed the entire document, producing 105 pages that were still entirely legible.

I was constantly alarmed that something might happen to the manuscript. I knew nothing about the person who possessed the book or the conditions under which it was being kept. My very first effort was to ensure that it wouldn’t be damaged through mishandling or simple exposure to the air. If it was real, it had clearly been unearthed very recently, and unless extreme measures would taken it would rapidly begin to decompose. Once the document came into the possession of experts, it would probably never be touched by hand again, but only handled under the most careful measures required to ensure its long-term preservation.

My contacts in Berlin refused to put me in touch with the owner. I repeatedly pled with them to tell their Turkish relatives to go to a museum or institute with expertise in the conservation of manuscripts and obtain some sort of climate-controlled box where it could be stored. They promised to do so. Later I discovered, to my horror, that none of these requests had been followed.

* * * * *


The script itself was magnificent: written in a clear hand apparently from right to left, with four straight lines per page. Beautiful characters slanted into each other and ended in strange half-circles. None of the experts I consulted could help with the script.

One Biblical scholar was highly skeptical – he knew of no written language that combined diacritic dashes and dots with the sort of strange, linked, cursive circles and crosses and s-like forms. “Probably a forgery,” he said. But who would invest such an immense amount of effort to invent such a form of writing from scratch, and eke out over a hundred pages that must say something – if it could never be read at all? Whoever had written it – ancient or modern – was telling some story, in some language. If it was a forgery, it was madness – but there was a method to it. If it was a forgery, why so many pages? Why invent an entirely new script? To make it more difficult to detect the fact that the forger didn’t perfectly master some ancient dialect? Think of the effort required to pull this off – and to keep going, for 105 pages!

I discovered that the third century CE was a time of immense linguistic innovation, in which any language might be written in virtually any alphabet: ancient Aramaic with Greek or Roman characters, ancient Latin in Hebrew letters, Arabic characters used to represent completely different languages…

The beauty of the writing itself was so seductive that I began spending vacation days holed up in the archives of the University of Heidelberg, poring over catalogs of scripts from all possible ancient sources.

The most similar writing systems seemed to be early Arabic alphabets called Nabataean, Jazm, and Musnad, Arabic Kufic, Pehlavi, Old Syriac, or Old South Arabian. Examples can be seen in the following reference: Abulhab, Saad D. “Roots of Modern Arabic Script: From Musnad to Jazm.” Sawt Dahesh. 50-51 (2007-2009), published by CUNY Academic Works and available online here.

The resemblance was never complete, but such early Arabic scripts date from different centuries and different locales. It was plausible, given the time and place in which it was presumably written, that this manuscript might hold the only known example of a particular script. But I kept looking, and even now I keep my eye on discoveries of new scripts and manuscripts – thinking that someday, one of them will leap out and match it.

I can only warn you: don’t go down that rabbit hole. After hours everything blurs into one another and you begin seeing similarities everywhere. One day I was sure I had pinned the script down when I stumbled across some reproductions of “ancient Greek magical papyrii…” The next morning I woke up, took another look, and realized there was virtually no resemblance at all.

* * * * *

During a crazy adventure you shouldn’t be deterred by petty obstacles such as not being able to read a language, or identify the language, or even the alphabet it was written in.

In fact, the uniqueness of the script itself might not pose an insurmountable obstacle. If I could break the system into individual letters, methods from computational linguistics could be applied. It might be pinpoint elements of vocabulary and structure that would identify the language, and at that point someone should be able to read it.

That would be a costly effort, and it would require bringing in someone passionately interested in deciphering the document. It would also require having more than just a sample; I’d need photographs of the entire manuscript. It would also mean bringing in another outside party who would be the first to know its contents, and yet was willing to keep the entire story under wraps until we could establish the authenticity of the book.

That would be a huge risk considering the fantastic potential value of the artifact. If it were real, judging from other historical manuscripts, the value of this book would well over 100 million Euros. And that was a conservative estimate.

Before undertaking anything of the sort, it would be necessary to definitively exclude the possibility that it was a modern forgery.



The story continues in Part three, coming soon.

The Bible of Elazığ: a backroom to a parallel universe

Bizarre, serendipitous adventures in science communication

Part one

This incredible story goes back a few years and adheres as closely to truth as memory and my notes permit. I have changed some names, for reasons that will become clear. It began a few months after I had finished a book called The Case of the short-fingered Musketeer, which concerns the heroic efforts by physician/scientist Friedrich Luft and his lab to discover genetic mechanisms underlying essential hypertension. I covered that story in the book, as fully I could. But except to a few close friends, I’ve never recounted the extraordinary events that happened in its aftermath.

To put things into context, the research carried out by Fred and his group involved a family of farmers living in Northern Turkey. They suffered from a genetic disease that was thought to be unique at the time, but over the course of the project Fred’s group uncovered a number of other families around that globe that are affected. People suffering from the hereditary condition called Bilganturan’s syndrome have very short fingers and toes, a short overall stature, and amazingly high blood pressure.

One unusual aspect of the group’s research was that the Turkish family had been actively involved in the project for many years, which made their perspective an important part of the story. When I told Fred I wanted to write a book about their work, he decided to mount a new trip to visit the family on the Black Sea. I tagged along on a week-long expedition, where the scientists collected samples that would eventually lead to the solution of the family’s unique condition. Later we paid a visit to a Nihat Bilganturan in Ankarra, the physician who had written the first paper about the family’s disease in the early 1970s. He was an amazingly colorful figure whose work had taken him to the US, Saudi Arabia and around the world – I’m still hoping that a massive autobiography that he was working on will be published someday.

Those two visits represented my entire experience of Turkey when I set out to write the Musketeer book. That obviously wouldn’t do: so much of the tale revolved around crossing cultural and societal borders, and two of the main characters were young physicians whose Turkish parents had immigrated to Germany in the 1960s. One branch of the family affected by the disease had moved to the Stuttgart region. To have any hope of realistically portraying their thoughts and their lives, I carried out extensive interviews with many of them – usually through translators. But I still needed more.

Living in Berlin brings you into daily contact with many such immigrants and their children, from all walks of life. Whenever I could I began engaging these people in conversations, in hopes of improving my understanding of their situation. One of those chance encounters led to the wild and unexpected adventure I’ll describe here.

* * * * *

For ten years I’ve had a small apartment near the S-Bahn station in Pankow, not one of the glamourous areas of the city. The steady rise in rents is a sign that things are improving, but the cafés and shops in the neighborhood have had a hard go of it. Just as you get to know the regulars, a place changes hands.

The corner near my place used to be occupied by one of those night shops you find all around Berlin. Mostly run by Turks or other immigrants, their main source of income is a flow of pedestrians who stop by for beer or cigarettes, then step outside to smoke and drink. They bring their empty soldiers back inside, collect the refund, then buy the next round. The city hadn’t yet toughened up on indoor smoking, so there was a perpetual cloud emerging from a back room where they had a row of computers that people could use to surf the Internet. It was handy if you needed a late-night e-mail fix, but hard on the lungs – and you certainly didn’t want to watch the surfing habits of the denizens that hung out there.

The place was run by two middle-aged Turkish men who would chat the ear off anyone who expressed an interest in their home country. When they found out about the book I was writing… Let’s just say they began considering themselves key, confidential informants on every possible topic. I had long reached the saturation point by the night somebody broke in and absconded with their computers, upon which the place passed into the hands of a younger generation of German Turks and a new set of informants.

I didn’t see the original owners again until about two years later, when I was at the Friedrichstrasse in Berlin, running late for some appointment. I ran up the steps to the S-bahn and arrived on the platform just as the doors of the train were closing. I jammed my way in, sat down, and tried to catch my breath. When I’d recovered enough to take in my surroundings, I noticed a short, hefty guy with bristly white hair sitting across the aisle, staring at me. I couldn’t place him until he came over to sit down next to me. It was one of the original owners of the shop.

The first thing he said was, “You’re a scientist, aren’t you?”

No, I said, but I certainly knew enough of them.

“We need your help,” he said.

* * * * *

Such moments of serendipity happen in Berlin all the time, and there’s no predicting what will come of them. You meet people by chance, talk about nothing in particular, and then run into them a couple of years later when your lives have entered a new phase.

Ali, as I’ll call him here, was cagey about the topic on his mind. The first step was to exchange cell phone numbers. Maybe we could meet in a day or two down by the Yorckstrasse? It sounded like a small adventure; how could I possibly refuse?

So the next Saturday I took the S-bahn to the station south of Potsdamer Platz. Ali collected me on the platform and led me down the stairs, then on a long walk farther to the south down a boulevard lined with trees. We turned east and walked a hundred meters more where he stopped, opened an unmarked door, and gestured that I should enter. Inside was another world: a Turkish tea shop.

I hadn’t noticed them before, but in certain neighborhoods you’ll find many such doors; at any moment they might open to reveal a cluster of men, reading newspapers and drinking tea and arguing about impenetrable topics. Here there were four or five guests sitting around a table, engaged in the usual activities under the drone of a television set mounted on the wall. It was tuned to one of those strange dramas that had been perpetually running on the TV in the restaurant of our hotel in Turkey: a melange of soap opera and family story in which people would shout at each other; someone would unexpectedly burst into tears, followed by the sudden appearance of a gun. An utterly foreign dramaturgy that was impossible to follow if you didn’t know the language.

As we entered the shop, conversation broke off abruptly and the heads of the men turned to rake me with a suspicious, penetrating stare. Ali said something that seemed to appease them; after a comment or two they turned back to their newspapers. A young man emerged from behind a counter and, without asking, served us black tea in small, glass cups. The tea was steaming hot and had to be taken in small sips. We chatted about something; I don’t remember what, but it was nothing meaningful.

What am I doing here?

After ten or fifteen minutes of this, Ali stood up. “Come,” he said, and gestured toward a door behind the counter. We passed into the back room, a combination between office and storage room, with a desk littered with papers, stacks of boxes, and an ancient leather sofa creased and stained by ages of wear. There was a rust-encrusted bicycle leaning against one wall. Ali moved some stuff off the sofa. “Sit,” he said, and I sat down on the sofa, sinking in deep. Now really wondering what I was doing there.

My host sat down at the desk and shuffled some papers around. He got out his cell phone, scowled at it a while, and punched in some numbers. An excited conversation. He hung up and smiled at me. “You want some more tea? I’ll get us some more tea.” And he left.

Ten minutes later he returned with tea and another Turkish man who hadn’t been outside – tall, thin, balding, with black horn-rimmed glasses. Mehmet, let’s say. We sipped and once again, talked about nothing in particular for a while. The newcomer asked about my work, in a way that suggested I was being cross-examined. To turn the tables, I asked about his work.

“I’m a lawyer,” Mehmet said.

Mysteriouser and mysteriouser.

* * * * *

This was the first of five or six meetings that eventually took place in that tea shop near the Yorckstrasse or another nearby. Each time I had the feeling I was undergoing some sort of test, and each test I passed unlocked a bit more of an incredible story. Later I understood that the people I was meeting had very good reasons for their extreme caution and distrust of strangers. But at the time this all seemed like a bizarre symptom of a cultural code I didn’t understand – especially since they had approached me for help, rather than the other way around.

It was the third meeting, I think, when they asked me if I had any experience with “very old things.”

What kind of old things?

Very old… objects.” Mehmet’s eyes were glued to my face.

“Old” could mean almost anything – historical? archeological? paleontological? I had nothing like professional experience in any of those domains, but if he was talking about something truly ancient, I’d at least gotten my feet wet. As a high school student I’d joined a month-long paleontology trip across the state of Kansas, which culminated in the discovery of a dinosaur near Lake Wilson. Then at the university I’d fulfilled part of my science requirement with classes in archeology. The high point of that period was a year in Bordeaux, where alongside an intensive program to become a French teacher, I’d taken a year-long course in prehistoric art. Most weekends the professor would take us on expeditions to the caves of the Dordogne, where we’d stand under glowing painted figures of animals or follow a herd of mammoths that had been engraved on the walls of the twisted corridors. Once we spent four hours walking through the grotte Rouffignac carrying only lanterns, which was as near as you could get to the experience of a prehistoric sculptor who had followed the same route 30,000 years ago. For some reason those ancient artists rarely depicted humans; when they did, the images were usually tucked away in nearly inaccessible corners of the caves. At one point the guides lowered us students down into a hole on a rope, one-by-one, to bring us face-to-face with a drawing of a human head.

I came out of my reverie, and realized that I was tired of whatever game Ali and Mehmet were luring me into. If they wanted my help, it was time to let me in on what was going on.

“What kind of objects?”

They gave each other a long glance. Finally Ali said, “A cousin of mine, in Turkey… found some things. Very old manuscripts. We would like to know what they are.”

“Where are these things?”

“In Turkey,” Ali said. A pause, and another glance. “But they have pictures.”

He didn’t have them now, he said. But he would call his cousin, who might be able to send some. “Maybe you can come back tomorrow.”

* * * * *

Finally catching a glimpse of the pictures took two more trips to Yorckstrasse and two more visits to the back room, then an invitation to dinner in a Turkish restaurant. There we were joined by a third man whose name I never learned and whose relationship to this strange band of “relatives” – as was the case for Ali and Mehmet – never became completely clear. Later I found out that the term “cousin” was being used in the broadest possible way. And that my new-found acquaintances were playing fast and loose with some of their facts. But they’d succeeded in hooking me with a story and drawing me into an adventure that was just beginning.

Ali finally resolved some issues with the Internet – his “relative” was only willing to provide the images on a secure server for the shortest possible time. The first time we tried to log on – from another shop with Internet access – they had already been deleted. The second time we could scroll through a few of the photos. There was a thick brown book wrapped in some kind of warped leather, and a few shots of inner sheets of parchment containing drawings and line after line of a very odd script that resembled nothing I’d ever seen before.

It was impossible to say anything from images alone, of course. But I had to admit that the thing looked old – amazingly old.

The manuscript was 105 pages long, completely legible, and the images were stunning and incredibly intriguing. There were several crosses, in styles I didn’t recognize. Another image represented a snake, curled in an S-like form followed by the strange script. Its tail was curled around what looked like an infant.

Later they told me that the images had been examined by an expert. If his analysis was to be believed, the book was a Bible, although no one had been able to decipher the text. From the images they believed it to represent a part of the New Testament.

And one of the initial pages with a cross held a notation – written in what the expert claimed was a recognizeable dating system. If their interpretation was correct, the book dated from the year 232 CE.

Unbelievable. Especially given the fact that the oldest extant New Testament manuscript anywhere in the world – except for a few fragments – dated from the third or fourth centuries CE!

What to do? Armed with a few images that they were finally willing to part with, I decided to hit the libraries and talk to scholars from the fields of ancient manuscripts and Biblical history. It was immediately clear that a true Biblical manuscript even remotely that old would be a momentous, Earth-shaking finding.

All of this had dropped into my lap completely by accident, but if there was anything to the story at all, I had to pursue it.

The story continues in Part two, coming soon.